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Awards
  • 2015 British Arrows Bronze (2)
  • 2015 British Arrows Silver
  • 2014 London International Awards - LIA Silver (3)
  • 2014 The APA Show / APA 50 2014 APA Collection (3)
  • 2014 British Arrows Craft Gold (2)
  • 2014 Kinsale Shark Advertising Festival Silver (4)
  • 2014 The New York Festivals International Advertising Awards in All Media First Prize Award (5)
  • 2014 Cannes Lions International Festival of Creativity Bronze Lion (3)
  • 2014 International ANDY Awards Bronze
  • 2014 London International Awards - LIA Gold (3)
  • 2014 The Cresta Awards Gold (3)
  • 2014 British Arrows Silver (2)
  • 2014 Kinsale Shark Advertising Festival Bronze
  • 2014 The One Show Merit
  • 2014 Advertising Creative Circle Awards Silver
  • 2014 Epica Awards Silver
  • 2014 Golden Award of Montreux Gold Medal
  • 2014 The One Show Silver Pencil
  • 2014 Cannes Lions International Festival of Creativity Silver Lion
  • 2014 British Arrows Gold
  • 2014 London International Awards - LIA Bronze
  • 2014 The Cresta Awards Silver
  • 2013 British Arrows Bronze
  • 2013 British Arrows Silver
  • 2012 Kinsale Shark Advertising Festival Bronze
  • 2011 British Arrows Shortlist
  • 2010 CLIO Awards Bronze (2)
  • 2010 Cannes Lions International Festival of Creativity Bronze Lion
  • 2010 AICP Winner
  • 2007 British Arrows Craft Shortlist
  • 2007 British Arrows Silver
  • 2007 British Arrows Bronze
  • 2006 The Golden Drum Awards Golden Watch (3)
  • 2006 British Arrows Craft Shortlist
  • 2006 Eurobest Eurobest Silver Campaign (2)
  • 2006 Advertising Creative Circle Awards Silver (2)
  • 2006 British Arrows Shortlist (2)
  • 2006 D&AD Awards / Yellow Pencil Nominee (2)
  • 2006 Eurobest Shortlist (2)
  • 2006 British Arrows Bronze (2)
  • 2006 Cannes Lions International Festival of Creativity Silver Lion Campaign (2)
  • 2006 CLIO Awards Bronze (3)
  • 2006 The One Show Merit
  • 2006 International Automotive Advertising Awards (IAAA) Bronze
  • 2006 D&AD Awards / Yellow Pencil Yellow Pencil (2)
  • 2006 CLIO Awards Silver
  • 2005 Cannes Lions International Festival of Creativity Silver Lion
  • 2005 British Arrows Silver
  • 2005 Loerie Awards Bronze
  • 2005 D&AD Awards / Yellow Pencil Nominee
  • 2005 Eurobest Eurobest Bronze
  • 2005 Kinsale Shark Advertising Festival Silver (2)
  • 2005 British Arrows Shortlist
  • 2005 D&AD Awards / Yellow Pencil Silver Award
  • 2005 YoungGuns International Advertising Award Finalist (2)
  • 2005 British Arrows Gold (2)
  • 2005 Kinsale Shark Advertising Festival Gold
  • 2004 ADC*E / Art Directors Club of Europe Gold
  • 2004 CLIO Awards Gold
  • 2004 Advertising Creative Circle Awards Gold (4)
  • 2004 London International Awards - LIA Winner (2)
  • 2004 Kinsale Shark Advertising Festival Grand Prix Cinema
  • 2004 British Arrows Gold (3)
  • 2004 British Arrows Craft Winner (5)
  • 2004 D&AD Awards / Yellow Pencil Silver Award (4)
  • 2004 Advertising Creative Circle Awards Bronze (2)
  • 2004 Kinsale Shark Advertising Festival Best Post Production
  • 2004 The One Show Silver
  • 2004 Advertising Creative Circle Awards Silver (2)
  • 2004 Kinsale Shark Advertising Festival Gold (2)
  • 2004 British Arrows Craft Shortlist (4)
  • 2004 International ANDY Awards Silver (2)
  • 2004 British Arrows Craft AFM Lighting Award
  • 2004 Kinsale Shark Advertising Festival Best Direction
  • 2004 Cannes Lions International Festival of Creativity Grand Prix
  • 2004 London International Awards - LIA Grand Prize
  • 2004 First Boards Awards Winner: Andrew Proctor
  • 2004 British Arrows Silver
  • 2004 Kinsale Shark Advertising Festival Best Use of Music
  • 2003 D&AD Awards / Yellow Pencil Silver Award
  • 2003 International ANDY Awards Distinction (3)
  • 2003 AdForum Creative Hits Gold
  • 2003 CLIO Awards Silver
  • 2003 International ANDY Awards ANDY
  • 2003 Cannes Lions International Festival of Creativity Gold Lion
  • 2003 Cannes Lions International Festival of Creativity Bronze Lion
  • 2003 AICP Winner
  • 2002 DRAC - Semana de la Publicidad de Catalunya Silver
  • 2002 IPA Effectiveness Awards Silver
  • 2002 IPA Effectiveness Awards Effectiveness Agency of the Year >£100m
  • 2001 The One Show Silver (2)
  • 2001 International Automotive Advertising Awards (IAAA) Bronze
  • 2001 Cannes Lions International Festival of Creativity Gold Lion
  • 2001 CLIO Awards Silver
  • 2001 The One Show Bronze
  • 2001 London International Awards - LIA Winner
  • 2000 Epica Awards Winner
  • 2000 Cannes Lions International Festival of Creativity Silver Lion
  • 2000 Epica Awards Gold Epica
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Rick Russell

Editor at Final Cut
United Kingdom

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Positions

Editor


Office, United Kingdom

nineteentwenty is a visual effects post production facility based in central London and Bristol.

The London office, on Mortimer Street, Central London, acts as a client facing, presentation space, where clients can spend time reviewing work, holding meetings and conference calls or just coming over for lunch around the kitchen table. The Bristol office is a much larger, creative space. Current capacity is at 14 creative seats, with room to expand to 40 seats. It also has a large kitchen table for clients to enjoy lunch around. There is a pattern emerging here. The two offices are connected to one server, so that as soon as work is completed in Bristol it appears in the timeline in London, and vice versa. Think of Bristol as being just another floor of nineteentwenty.

Why Bristol? When setting up nineteentwenty, we wanted to find a way of making the whole process of post production more cost effective for our clients, whilst maintaining the high standard of work they have come to expect. Bristol has a long history of creative talent and there were also a number of government incentives to encourage media companies to set up there. We were able to acquire office space that is three times the size of our London office for half the cost. This means that we are able to build a large crew of highly skilled artists without the expense of London, and we are able to pass these savings on to our clients. With the added bonus of no time difference or language barrier (insert west country joke here), we think it’s the perfect choice.

The creative work will be shared between the two floors allowing us to take on more work through either location while keeping that intimate feeling in London. Our aim is to be more cost effective and therefore better value, and with the combined capacity of both offices no job is too big (or too small).

nineteentwenty was formed by producer Scott Griffin and Visual Effect Supervisors Ludo Fealy and Chrys Aldred in 2013, with doors to the London office opening on the 6th of November 2013. The three have over 60 years of visual effects experience between them, Scott having previously worked at Framestore CFC for 16 years and The Moving Picture Company (London and Vancouver), while Ludo had spent time at Rushes, Glassworks and The Moving Picture Company. Chrys began his career at Soho 601 before moving to The Moving Picture Company. All three have picked up numerous awards along the way whilst working with the best directors and agencies in the industry. You really are in safe hands. 

Editor


London, United Kingdom

Final Cut is a creative editorial company collaborating with top directors and agencies on the most prominent commercials, feature films and music videos. 

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