TitleDick Fosbury
Campaign Go World (2008 Olympics) - Visa
Advertiser Visa International
Brand Visa

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PostedSeptember 2008
Business SectorSubscribers Only
TaglineSubscribers Only
Media Type Television
Sound Design Company
Post Production
Special Effects / VFX
Voice M...an F....an Subscribers Only
Copywriter G..e C...g Subscribers Only
Agency Producer R....rd O....ll Subscribers Only
Agency Producer ..b S...n Subscribers Only
Executive Producer K...n B...en Subscribers Only
Editing Company Su....ad Subscribers Only
Special Effects / VFX Su....ad Subscribers Only
Art Director B...a M...on Subscribers Only
Executive Creative Director ..b Sc....tz Subscribers Only
Group Creative Director ..e C..w Subscribers Only
Editor C....es J...en Subscribers Only
Music Company / Composer E...s A..s Subscribers Only
Head of Production A...la .e Ol....ra Subscribers Only
Producer C....le La.....ere Subscribers Only
Creative Director P....ck O....ll Subscribers Only
Audio Engineer J..n B...n Subscribers Only
Animation Su....ad Subscribers Only
Executive Producer ..n H...en Subscribers Only
Creative Director D..e G..d Subscribers Only
Executive Producer S..a H....an Subscribers Only
Researcher Ni.....on Re....ch Subscribers Only
Researcher S...n Ni.....on Subscribers Only
Account Director C....yn C....is Subscribers Only
Account Supervisor N...le B..y Subscribers Only
Account Executive A..y T...er Subscribers Only
Traffic Director J...y N...l Subscribers Only
Traffic Director A..e Th.....on Subscribers Only
Editor J..f J....ns Subscribers Only
Creative Director P...y ..i Subscribers Only
Creative Director J...in L...ow Subscribers Only
Creative Director ..n G...s Subscribers Only
Artist ..n G...s Subscribers Only
Group Planning Director J...e S...h Subscribers Only
Business Director L...a D....on Subscribers Only
Producer S....on P...ce Subscribers Only
Creative Director ..n Co....ly Subscribers Only
Visual Effects Supervisor ..n Co....ly Subscribers Only

About TBWA\Chiat\Day Los Angeles

TBWA, named Adweek’s 2018 Global Agency of the Year, is The Disruption® Company: the cultural engine for 21st century-business. One of the world’s most innovative and creative companies, TBWA uses trademarked Disruption® methodologies to develop business-changing ideas for brands across the globe. Our collective has 11,300 creative minds across 275 offices in 97 countries. Our unique approach to global operations stands on the fundamental belief in the power of a creative collective of connected, yet distinct, agencies. Rather than a “network” that drives uniformity and status-quo thinking, operating as a collective encourages each office to have their own strong individual culture, while uniting with the greater group through the power of Disruption.

Our true competitive advantage is our Disruption methodology. We use disruption to help brands unleash the power of their soul to drive sustainable growth. We identify the cultural or market conventions to overturn. We scrutinize the future to determine what could lift the brand higher. And we define a Disruption platform that inspires the way the brand behaves and communicates.

Creating cutting-edge, media-neutral ideas built on a Disruptive brand platform is at the heart of what we do. The way in which our audience receives, digests and shares information has evolved beyond any single media platform. Therefore, we believe, everything a brand does is advertising. As such, it is important to factor in the consumer journey when developing creative work across touchpoints.

Backslash is an agile and responsive cultural-insight studio powered by a global Spotter network. Backslash taps into the intelligence, creativity and brilliance of the TBWA global collective to identify emerging trends/behavior and provide us with culturally relevant thought leadership on a daily basis.

Grizzlee is our in-house production capability whose ambition is to create content at any scale that moves culture. Grizzlee has been consciously built with today’s content spectrum in mind. Recognizing that our clients need content from micro to macro to mega from real time to branded entertainment with varying degrees of complexity, budgets, and media support. 

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