Carly Stone

Founding partner of MADAM Films Ltd, an executive producer with a creative focus and attention to detail, known for delivering high-production value.

Website | www.madebymadam.com

Offering UK production services as well as co-ordination of multi-country shoots, collaborating with like minded and trusted global connections.

¤ Budgeting-20 years experience across multi platforms, countries and currencies.
¤ Knowledge of client systems including P&G, Unilever, Reckitt & Benckiser
¤ Contractual-liaising and negotiation with worldwide legal teams and relevant laws.
¤ Casting/talent buyout specialist for all UK artists and facilitating talent only services.
¤ Visa assistance-home office recognised and have been supporting international visitors for over
7 years.
¤ Global contact book including freelance and feature film directors.
¤ Oversee of all production elements, bringing the relevant personnel together.

2020-2021 HIGHLIGHTS
 "Masterclass" | Featuring Es Devlin, Malala Youfsafzai and Lewis Hamilton
 “The Cave” | National Geographic Documentary winner of 3 Emmys 2020-Madam facilitated the
UK shoot.
 “Cursed” | Netflix trailer for the new series-July 2020 Madam produced collaborating with all existing cast, crew and suppliers.
 UKAEG Group | Madam joins the Cohort group that features 50+ of the best companies drawn from across the UK’s advertising and marketing services industries.

2018-2022 CLIENT EXAMPLES
Advertising | Ford, Vodafone, Amex, McDonalds
Agency & Media corps | JWT, Media Pro, Digitas, VaynerMedia, Hogarth
Direct to client | Disney, Whistle Sports. Masterclass, Vodafone
Corporate | Morgan Stanley, GitLab
VIP| Jose Mourinho, Mo Salah, Andy Murray, Lewis Hamilton
Client Territory | USA, South Korea, China, Egypt, Australia, Germany, Spain, Czech Republic, Chile, Argentina, South Africa, France, Denmark, Poland

Projects that I have been involved in, across different roles have won an Oscar, BAFTA, D&AD Cannes Lions, BTAA and recently an Emmy.

Mentoring is important, I thrive in giving back where I can. I was the first student of the APA Masterclass to becoming a tutor and I have given seminars for the IPA on production budgeting and working with London Screen Academy students.

Being part of judging and festival panels has allowed collaboration with some of the most global creative industry minds and expand my production knowledge.

I am committed to working on green and ethical production practices and further developing company policies.