|Advertiser||National Association for Stock Car Racing|
|Date of First Broadcast/Publication|
|Philosophy|| NASCAR is about its evolution and its roots. This is a story about every generation defining what NASCAR means. It’s a story of speed and the hunt for more. Is there a difference between moonshiners outrunning the law in the 30’s and modern drivers handling the hairpin turns of Daytona Beach? No, it’s pure necessity. It’s a story about love. Love of danger. Love of speed. Love of heroes. Love of something that is so imperfect, that it is in fact perfect.|
In the USA, NASCAR is seen as a sport that is only for certain types of people. You know the type. This film was meant to change that perception. NASCAR's relatable to everyone. It’s not just left turns. It’s a story of determination and love. Of underdogs and unlikely heroes. At its core it’s everything we rally around as a society. NASCAR is much bigger than its perception.
|Soundtrack||Can't Help Falling in Love by Twenty One Pilots|
|Editing Facility||Crew Cuts|
|Account Director||David Zane|
|Account Supervisor||Aditi Reddy|
|Account Director||Jennifer Natuzzi|
|Account Director||Martin Murphy|
|Account Executive||Emily Zale|
|Planning Supervisor||Jennifer Peterson|
|Account Planner||Jake Stanley|
|Chief Creative Officer||Chris Garbutt|
|Executive Creative Director||Terry Finley|
|Executive Creative Director||Tommy Henvey|
|Art Director||Rich Wallace|
|Agency Producer||Dave Lambert|
|Agency Music Producer||Michael Freeman|
|Senior Executive Producer||Andrew Colon|
|Senior Executive Producer||Brian Carmody|
|Senior Executive Producer||Patrick Milling Smith|
|Executive Producer||Shannon Jones|
|Executive Producer||Carole Hughes|
|Director of Photography (DOP)||Joost van Gelder|
|Special Effects / VFX||Framestore|
|Sound Designer||Julienne Guffain|
|Sound Designer||Amar Lal|
|Sound Designer||Joseph Fraioli|
|Music Producer||Able Baker|
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