|Brand||The National Lottery|
|Date of First Broadcast/Publication|
|Business Sector||Lottery & Gambling|
|Story||Shot next to an army base in South East Asia, the tense and emotional film centres on an elderly man standing at the centre of a jungle battle field as war is waged around him. Mortars explode, machine guns fire rings out, planes fly overhead, and enemy soldiers run screaming towards us as our hero, who, dressed in modern clothes, stands watching the scene unfold. In the preceding moments he walks through WW2 jungle camp, lost in thought, before the chaos of battle commences. In a moving final scene, as memories of the battle fade, we see that ‘Jack’ is visiting a war cemetery, paying his respects to fallen friends and laying to rest the ghosts of his memories.|
|Philosophy||To change the frame of reference that people currently have from thinking TNL Good Causes = fancy opera houses and pointless arts grants; to genuinely “life changing” good causes.|
|Audio Post Production||Factory Studios|
|Post Production||The Mill London|
|Account Manager||Kate Edwards|
|Production Company Producer||Malarchy MacAnneny|
|Media Planner||Simon Jenkins|
|Agency Producer||Olly Chapman|
|Account Manager||Lizzie Edwards|
|Account Manager||Robyn Puttergill|
|Account Planner||Alaina Crystal|
|Account Planner||Emily Harlock|
|Account Manager||Sarah Douglas|
|Advertising Manager||Richard Bateson|
|Advertising Manager||Matthew Godfrey|
|Advertising Manager||Paula Withell|
|Advertising Manager||Harriet Belsey|
|Art Director||Adrian Rossi|
|Account Planner||Michael Lee|
|Account Manager||Lee Simpson|
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