| Title | Train |
| Agency | SS+K |
| Campaign | Where Things Get Interesting |
| Advertiser | Condé Nast Publications |
| Brand | The New Yorker |
| Date of First Broadcast/Publication | 2015 / 11 |
| Business Sector | Newspapers, Magazines, Books |
| Story | In the film, we see the world through the eyes of a New Yorker reader—every face and scene hints at a deeper story. |
| Media Type | Television |
| Length | |
| Editing Company | Bikini Editorial |
| Chief Creative Officer | Bobby Hershfield |
| Copywriter | Lindsey Lanpher |
| Art Director | Alyssa Georg |
| Production Company Producer | Brendan O'Malley |
| Production Company Producer | Jamie Appelbaum |
| Director | Will Flood |
| Account Executive | Nick Petrillo |
| Production Company | Reset |
| Director | J.C. Chandor |
| Executive Producer | Jeff McDougall |
| Executive Producer | Jen Beitler |
| Production Company Producer | Grace Campos |
| Production Company Producer | Greg Schultz |
| Editor | Avi Oron |
| Editor | Gustavo Roman |
| Executive Producer | Gina Pagano |
| Production Company Producer | Ruganzu Howard |
| Special Effects / VFX | Eric Gelgand |
| Sound Design Company | Avi Oron |
| Music | Yoni Oron |
| Sound | Heard City |
| Production Company Producer | Gloria Pitagorsky |
| Production Company Producer | Talia Rodgers |
| Production Company Producer | Sasha Awn |