Title | Passenger |
Agency | The Chase Creative Consultancy |
Campaign | Kitchen Stove Dramas |
Advertiser | ESSE Engineering |
Brand | ESSE |
Date of First Broadcast/Publication | 2022 / 5 |
Business Sector | Washing Machines, Refrigerators & Other Large Apppliances |
Philosophy | Manchester based Chase Films and partner company The Chase Creative Consultancy today release three short films with the support of UK heating appliances brand ESSE. The campaign entitled ‘KITCHEN STOVE DRAMAS’ consists of three short films exploring comical everyday stories. Each film starts with the product placement of an ESSE cast iron cooker, before ending with the protagonists' expression of thought-provoking bewilderment. Narrative filmmakers at heart, The Chase Films use their production and storytelling expertise to explore longer form, story driven content in this collection of shorts for ESSE. The three films, ‘Patient’, ‘Passenger’ and ‘Papers’ depict a number of different everyday scenarios with a comedic twist to them; a man who’s running late to an appointment with his eccentric therapist, a strange trip with a motorcyclist who seems to have forgotten his companion, the brazen behaviour encountered by a tourist on her morning run to the local newsagent. Written by The Chase, scripted and directed by Oscar nominated Mark Gill, the idea of ‘KITCHEN STOVE DRAMAS’ is a nod towards the 1960s genre of British ‘Kitchen Sink Dramas’. The colour palette of the films gives them a distinctive and classically British flavour, also supported by the association with ESSE, a quintessentially British brand, giving the films a common theme. The films were shot on top of the Pennines (a mountain range in England) over three days during the height of Storm Eunice. Despite the challenges, Director of Photography, Fernando Ruiz, opted for an unobtrusive approach to the camerawork. The choice of camera, filters and lighting were able to deliver the desired look and feel, with unobtrusive camerawork allowing the performances to develop and entice the audience. |
Media Type | Digital |
Length | |
Production Company | The Chase Films |
Writer/Director | Mark Gill |
Original Stories | Ben Casey |
Producer | Ed Newell |
Executive Producer | Alex Roberts |
Executive Producer | Mark Gill |
Executive Producer | Ben Casey |
Director of Photography (DOP) | Fernando Ruiz |
Production Designer | Anna Papa |
Editor | Frank Moderna |
Casting Director | Lee Mountjoy |
Production Manager / 1st AD | Sam Atkins |
Production Assistant | Georgia Leigh-Taylor |
1st AC | Kirsten De Maid |
2nd AC | Dahlia Al-Janabi |
Camera Trainee | Louise Wilcock |
Sound Recordist | James Lister |
Gaffer | Mark Rickett |
Electrician | Christopher Moore |
Art Director Assistant | Marco Turcich |
Stand-by Art Director | Matthew Hope |
Stand-by Props | Dave Mills |
Set Dresser | Tony Rooney |
Set Dresser | Fyn Smith |
Prop Buyer | Maddy Walmsley |
Wardrobe / Makeup | Cheryl Bostock |
Photographer | Raluca Radu |
Runner | Lewis Brindle |
Colorist | Chris Bell |
Music | Wintermute |
Catering | Gingham Caterers |
Title Design | Stuart Mitchell |
Sound Studio | Kord Media |
Mixer | Euan Toms |
Cast | Luke Walker |
Cast | Eric Colvin |
Cast | Roger Morlidge |
Cast | Adam Lawrence |
Cast | Amber Doyle |
Cast | Victoria Porter |
Special Thanks | Jagga Hussain |
Special Thanks | Jonathan Ball |
Special Thanks | Joe Elliott |
Special Thanks | Martin Ashby |
Special Thanks | Penne Manor Hotel |
Special Thanks | No Drama |
Special Thanks | Location One |
Special Thanks | Sitelink |
Special Thanks | Pro-Motion |
Special Thanks | Colne Valley Museum |
Special Thanks | PKE Lighting |
Special Thanks | Paul Richardso |
Special Thanks | Lisa Richardson |