TitleBaskèts
Agency
Campaign Inspiration never sleeps
Advertiser Baskèts
Brand Baskèts

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Date of First Broadcast/Publication Subscribers Only
Business SectorSubscribers Only
Media Type Television
Length
Production Company
Director P...ip .e I...h Subscribers Only
Production Company Producer R..s B...k Subscribers Only
Production Manager C....et Vr......orp Subscribers Only
Assistant Director J...e W...en Subscribers Only
Director of Photography (DOP) J...er W..f Subscribers Only
Focus Puller P...si P..s Subscribers Only
Movi Assistant ..b ..n ..m Subscribers Only
Gaffer E..k .e W...t Subscribers Only
Lighting Director / Lighting G..s ..n L....en Subscribers Only
Lighting Director / Lighting R..i P....lo Subscribers Only
Grip M..e L....ys Subscribers Only
Grip L..n T....se Subscribers Only
Music M...us G....ng Subscribers Only
Sound Designer Q...cy V....ig Subscribers Only
Sound Design Company S....ge S...d Subscribers Only
Wardrobe D..n .n D...ne Subscribers Only
Location Manager P...jn Pe......ing Subscribers Only
Line Producer S...en G...en Subscribers Only
Lighting Director / Lighting ..x .n .o Subscribers Only

About CZAR Amsterdam

Latest News

‘Baskèts,’ the Debut Film of CZAR’s New Director Philip de Iongh

CZAR - Amsterdam welcomes their new director Philip de Iongh to their roster upon the premiere of their new film for Amsterdam based store concept and lifestyle brand Baskèts. This new film showcases Philip’s unique take on directing that he has carefully developed throughout a decade of working as one of the most wanted assistant directors within country borders.
With a clear objective in mind, Philip graduated with flying colors from the Amsterdam Film School where he made his first short film ‘Naar Binnen’, resulting in the takeoff of several new projects. He has since released a light and catchy film highlighting the traditional and personal aspects of restaurant chain Spaghetteria, his recent launch for Baskèts being his biggest commercial to date.
The film delves into the lives of different young adults coming from various underground scenes in Amsterdam. Philip presents them within their individual worlds yet manages to create a single atmosphere by making the passion emoted by them the real protagonist, instead of the characters themselves. 

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