Title | Way Out |
Agency | Leo Burnett Israel |
Campaign | Way Out |
Advertiser | Samsung |
Brand | Samsung |
Date of First Broadcast/Publication | 2022 / 3 |
Business Sector | Consumer Electronics & Audio-Visual |
Philosophy | Samsung and Great Guns director Tal Zagreba continue their collaboration with a punchy new campaign, ‘Way Out’. Aimed at Gen Z, the film showcases Samsung’s ecosystem range - launching the teens through a portal of escapism and self-expression. Set to the track of ‘No Way Out’ by Escapism, the spot from Leo Burnett Israel features a series of vignettes exploring Gen Z life. As teens hunt hungrily through a supermarket, experience first loves, and wreak havoc at a party, Samsung’s ecosystem products are integrated into each situation seamlessly, highlighting their racing heartbeats, showing them the way to their next rave, and letting them share intimate moments through music - or get lost in a world of their own. The common thread through it all is a palpable atmosphere of youthful energy, uninhibited and uncompromising. In approaching Great Guns’ Tal Zagreba, Samsung knew they wanted to appeal to Gen Z but allowed the director free reign to take it in the direction he wanted. Opting to convey a feeling rather than overtly selling a product, Tal decided to craft an authentic depiction of the target market without flattery or exaggeration, capturing on film the impulsive essence of the new youth as dark, passionate individuals. As they make their core memories, Samsung’s products are there all along, fitting comfortably by their side and enhancing the experience. In terms of camera work and aesthetics, the film aims to show the world through the characters’ eyes - not to judge, but to simply experience. To do so, Tal combined retro, grainy footage with a chaotic, boundless camera, staying as close as possible to the visual language the protagonists themselves would use. Carrying this authentic approach forward to the casting process, Tal sought actors that truly reflected the characters they would represent. Enlisting electric, mysterious, carefree individuals, Tal’s deepest intention was to create intimacy between them and the camera by getting to know them as people first. The result had the actors feeling confident to utilise the film as a platform to express themselves and the essence of a generation, without filters or censorship. |
Media Type | Digital |
Length | |
Market | United Kingdom |
Soundtrack | “No Way Out” by “Escapism” |
Production Company | Great Guns |
Head of Marketing | Ronen Salem |
Marketing Manager | Zach Ben-Ari |
Chief Executive Officer (CEO) | Imi Eiron |
Chief Creative Officer | Ami Alush |
Creative Director | Oren Ben Naim |
Creative Team | Dror El-Al |
Creative Team | Olga Vorobieva |
Agency Producer | Menny Zarhia |
Account Supervisor | Shiran Feldman |
Account Supervisor | Tom Eshel |
Account Manager | Noam Cohen |
Marcom Director | Eva Hasson |
Production Company | Gigi Productions |
Director | Tal Zagreba |
Executive Producer | Gigi |
Producer | Tzuri Kedem |
Director of Photography (DOP) | Roman Linetsky |
Gaffer | Lee Klein |
Production Designer | Adam Gazala |
Wardrobe / Stylist | Noa Nozik |
Grip | Moshe Bukman |
Offline Editor | Shahar Beeri |
Online Studio | V01 STUDIO |
Post-production Producer | Amit Grant |
VFX Supervisor / VFX Artist | Yoni Shahar Ben Artzi |
VFX Artist | Amit Bensangi |
Colorist | Imri Agmon |
Music Producer | Daniel Shemer |
Mix & Mastering | Daniel Anglister |
Assistant Editor | Omer Leshem |